And just like that, the Telluride Film Festival is over — the sequestered Colorado tradition known for anointing and/or unveiling awards-season front-runners en route to Toronto and beyond. But with no Juno this year to charm visiting critics and distribution bosses alike, Labour Day came and went instead with rangy early takes on The Curious Case of Benjamin Button, David Fincher's long-awaited (and reportedly just long) saga of Brad Pitt aging backwards. While we had pretty much gotten used to the film's stirring Spanish-language trailer, a few closer reads of previews emerging from the Rockies suggest the final result might be a little more complex: Extraordinary digital effects! Romance! And, alas, disappointment:

Read More »

What looked vaguely at first like a garden-variety Hollywood legal squabble escalated late Monday into the Cuban Missile Crisis of fanboydom: A judge upheld Fox's pending lawsuit claiming that they, not Warner Bros., own the distribution rights to Zack Snyder's forthcoming graphic-novel adaptation Watchmen. The resulting mess is thick, deep and aromatic, with not just two but three studios slogging through a paper trail nearly two decades long. And perhaps the best part: Fox says it doesn't even want to be bought off, instead publicly suggesting they'd rather file an injunction against the breathlessly anticipated film's release next March than not get what it has coming.

Read More »

After two consecutive close calls, The Dark Knight's stunning box-office reign faces
another formidable challenger this week with Tropic Thunder. Not that Ben Stiller's film is necessarily favoured to knock the blockbuster off — at least not with its R-rating, its meta-Vietnam theme, and definitely not with Tropic Thunder RetardGate threatening to capsize the film on its maiden voyage.

Read More »

Well, that was fast: Mere days after first drawing attention on a disability issues blog (and eventually going under magnifying glasses at the NY Times and here at Defamer HQ), DreamWorks's mock Web site for Simple Jack is gone. The site had been part of the studio's complex interweaving of Tropic Thunder tie-ins, with its "Once upon a time... there was a retard" tagline tipping the story of a disabled farmhand whom Ben Stiller's character portrays in pursuit of an Oscar. But activist Patricia Bauer's vigil continued, culminating late Monday with a handy restitution checklist for Stiller, DreamWorks and their distribution partners at Paramount:

Read More »

· With New Line but a shadowy shingle of its former self, Billion Dollar Director Brett Ratner is packing up the Rat Entertainment boxes and moving onto the Paramount lot to marinate in soulmentor Bob Evans's pungent creative vapors. He pledges to no one in particular, "I will not be pitching art films. I want to make mainstream tentpole projects." [Variety]
· The End of Ideas: King of All Media Edition: Howard Stern is producing a remake of Rock 'n' Roll High School to be written by Alex "Bill & Ted" Winters. [Variety]
· Discovery Channel is launching a reality show that will attempt to execute many of Leonardo Da Vinci's conceptualized inventions, either sending contestants soaring on the winds of 16th Century innovation, or plunging to their bat-winged-flying-contraption deaths. [THR]
· The Dark Knight nudges Warner Bros. profits overseas past the $1 billion mark. [THR]
· Sam Raimi will direct The Transplants for Disney, details of which they're staying vague about save that it's a "four-quadrant ensemble superhero story with a comedic bent," each a vaguely horrifying ethnic stereotype. [THR]

Read More »

While we refuse to believe Nielsen actually spent money to discover that R-ratings hinder comedies more than horror films, the results of its recent survey dovetail interestingly today with a companion piece about Tropic Thunder's potential for August domination. We've seen Tropic and can vouch for it living up to most of its hype, from Tom Cruise's sociopath studio boss to Robert Downey Jr.'s otherworldly, meta-Method blackface turn. But rating and timing are everything, as always, prompting The Hollywood Reporter to foretell a relatively floppy future:

Read More »

After an intense period of debate, stroppy siren Keira Knightley has reportedly rejected Paramount Vantage's request to digitally enhance her breasts in publicity photos for its fall drama The Duchess. It's a devastating blow to what remains of the studio's thinning clout, what with pink slips subbing for napkins in the cafeteria, its Oscar legacy threatened by a genre-mediocrity torrent to come, and one of its biggest stars steadfastly refusing to be... well, one of its biggest stars. It's not like there's not precedent here, however. Follow the jump for more, including a glimpse at Knightley's previous brush with the 'brush.

Read More »

The saga of Paramount Vantage arrived at its bloody conclusion this morning, when Rob Moore and John Lesher sent a memo announcing the termination of 60 jobs at the specialty label. The paring down follows the earlier absorption of Vantage into the 'Mount mother ship, where Lesher graduated earlier this year, Amy Israel hit the eject button and which will keep a handful of staffers on as part of the catchily titled Paramount Worldwide Acquisitions Group announced a few days ago.

Read More »

Like most celebrants of cinema's smoldering, dangerous geek-stud archetype, we've been following actor Justin Theroux's career arc for a while — mostly in front of the camera, obviously, where his roles in Mullholland Drive, Charlie's Angels: Full Throttle, Six Feet Under and elsewhere yielded a batch of performances we presumed would catapult him to the A-list sooner or later. But now it's just getting ridiculous, as we're learning that Theroux just nabbed one of the most desirable writing gigs in Hollywood: Iron Man 2.

Read More »

If there was any doubt that the Paramount Vantage you know and love or maybe just really like — the art-house darling responsible for An Inconvenient Truth, Babel, Margot at the Wedding, There Will Be Blood and No Country For Old Men (the latter two co-produced by Miramax) — was done for, please direct your sad eyes toward the front door. There you'll find Amy Israel, handing over her ID badge before fleeing her post as VP of production and acquisitions.

Read More »