Posted by Defamer Hollywood at 10:30 AM on May 31, 2008
The totally accidental mystery of the angry critic who stormed out of a crowded Cannes screening of Two Lovers rather than "wait an hour for fucking [director] James Gray" was put to rest this afternoon at Entertainment Weekly, where critic Lisa Schwarzbaum copped to the outburst we once guessed came from Manohla Dargis. "And since I'm giving PopWatch readers a spectacular scoop, let me tell you what happened next," Schwarzbaum wrote. "I extricated myself from the angry mob at 9:30 p.m., took myself out to dinner, had a nice bowl of pasta and a glass of wine, and returned an hour later to a crowd, albeit smaller, still waiting for f—-—g James Gray. ... As they say in beer ads, read blog items responsibly!" The catch? Schwarzbaum outed herself on a blog! We're not falling for that one; we'll believe it when it's in the magazine. [EW]

As if Page Six's blind items weren't problematic enough, NY Post film critic Lou Lumenick last week
And here we thought Che had it rough with critics at Cannes. Enter Wim Wenders, the New German Cinema pioneer whose Paris, Texas and Wings of Desire were among the fest's most beloved films of the '80s, but yet who's fallen on hard times of late with a string of dodgy bombs including Don't Come Knocking and Land of Plenty. His return to the Croisette with Palermo Shooting, about a fashion photographer who comes face-to-face with death, isn't likely to help matters much — particularly not with the
Amid all of Tuesday's post-holiday hustle and bustle, we regrettably overlooked perhaps
He can rap! He can act! He can produce (music AND plays)! He's the dapperest of gentlemen ever to be accused of assault, bribery, shootings, sweatshop labour, a fatal stampede and making coats out of dogs! And now Diddy has a new occupation: screenwriter. According to the always reliable entertainment news service WENN, Diddy was
When Sharon Stone wasn't
The ongoing, skull-melting hallucination yielding visions of
As we established previously, little is happening movie- or industry-wise at the
Where are the big spenders this year at Cannes? After a 2007 buying spree that topped out with Universal snagging We Own the Night for a whopping $11.5 million, only one distributor has made any considerable investment in the current crop of selections — IFC Films, which
One tiny, loaded word pretty much summed up Wednesday at Cannes: Che. Steven Soderbergh's two-part, four-hour-plus biopic premiered last night to a sprawling range of reactions, most of which seem to embrace the challenging film (and particularly Benicio Del Toro's performance as the title revolutionary) even while doubting the film would ever again screen again in its current version. Soderbergh and star Benicio Del Toro were only